![]() ![]() Play it fast or slow-it all sounds great! Feel free to play with the timing-add an extra beat or so here and there. I have several variations (some subtle, some not so subtle) I play for instrumental breaks, which I hope to commit to tablature. This is the main bit I use to accompany my singing. Notes: "Country Blues," based on the playing of Dock Boggs. Genre: Traditional Style: Clawhammer and Old-Time Difficulty: Intermediate So follow the tab - particularly if you're playing it with other musicians. So the tab won't quite match John's playing at that point in the tune. He was also kind enough to advise me how to correct the small error. I contacted John who was kind enough to tell me that in his enthusiasm he had played through that part in 4/4. When tabbing I couldn't get that to work with John's melodic arrangement. The fourth bar of the B section of Clinch Mountain backstep changes time signature to 6/4. ![]() I think this tab is very close to a fret for fret transcription. It is packed from one end to the other with interesting licks and ideas, but remains true to the original tune. It starts with a down the neck arrangement, followed by melodic and up the neck arrangements, and closes out with two more down the neck arrangements. Visit John's BHO page to the video of him playing it. Notes: This is wonderful version of Clinch Mountain Backstep from the playing of John Apfelthaler. Genre: Bluegrass Style: Bluegrass (Scruggs) Tuning: Standard Open G (gDGBD) Difficulty: Expert ![]() If you don’t have a Keith tuner on your 4th string, you can just end it with a C note on the 2nd string 1st fret. Finally, in his Outro to the tune Keith used a Keith tuner on the 4th string to go from D to C. Note also that the Intro includes the banjo’s alternating between G7 and Ab Dim, whereas the backing instruments alternated between G7 and Ab7 throughout Part A of the tune. Note that in live performance Keith would start the tune with some appropriate noodling, and I have included a fragment in the tab. It is not a note-for-note copy of Keith’s version, but I did include a number of his nifty ideas, or at least my interpretation of them, that are worth examining. The tab is based on Keith’s arrangement, and it is mostly the way I have played Caravan for the last few decades. Notes: In memory of Bill Keith, whose recording of Duke Ellington’s Caravan on his 1976 album “Something Auld, Something Newgrass” introduced the tune to the world of bluegrass banjo and gob-smacked me when I first heard it. Posted by corcoran, updated: - 6 Member Comments This is the list of banjo tablatures currently available on the tablatures page:Īll the good times are past and gone (w.Genre: Bluegrass Style: Bluegrass (Scruggs) Key: Cm Tuning: Standard Open G (gDGBD) Difficulty: Intermediate As of April, 2019, all my bluegrass banjo tabs are free to download just by clicking the respective Download button. At that stage you may want to try to play the whole tablature through once or twice to get an idea of what's ahead, but for learning the tab I recommend that you proceed measure by measure, learning each measure by heart and adding it to what you've already memorized, and possibly making mental notes as you go regarding the type of roll, and/or the chord shapes as they change. The third step would be adding complete rolls. As step #2, add the chords or left-hand fingering as provided by the tab, but still just play the melody. Generally, you will find the melody notes in the first position (possibly the 5th as well) in every measure, but since syncopation (that is, shifted melody notes) is so frequent in bluegrass banjo, that rule applies only very loosely. ![]() For that purpose, you can switch off the banjo track in your Tabledit viewer and play along the rhythm track. My own arrangements usually contain more than one break, and many of them contain/are an up-the-neck break.īluegrass banjo tablatures learning tipsIf you are a beginner banjo player, I recommend that you start a new song or tune by learning to play the bare melody first, rhythmically on time. All my 5-string banjo tabs are written for 3-finger picking, mostly in Scruggs style however, styles may vary and often comprise passages in melodic style. on this site can be acoustically reviewed before downloading. In case you do modify a tab and redistribute it, please ADD your name to the credits in the tablature's 'notes' field.Īll the banjo tabs. Remember, though, not to be a tab slave, that is, feel free to modify any tab to suit your personal anatomy / musical preference. For my background as a banjo player/composer/transcriber, see my biographical notes.īanjo tabs are a great way of getting to know and analyzing somebody else's playing style, and getting inspiration from it. Tablatures for 5-string banjoWelcome to, a website offering quality tablatures for 5-string banjo bluegrass style in Tabledit format. ![]()
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